Old Style- Greater contrast between thick and thin strokes and generally sharper in appearance. -- Sabon, Plantin, Palatino
Transitional- Regularity and precision. -- ITC New Baskerville, Olympian STD, Bookman STD
Modern- Thin, straight serifs, vertical axis, and sharp contrast from thick to thin strokes. -- Bodini, Nara, Century Gothic
Slab Serif- Defined by thick square-ended serifs. -- Clarendon, Ziggurat, ITC Lubalin Graph
Sans Serif- Stripped to the bare minimum by losing the serif appendages. -- Akzidenz Grotesk, Franklin Gothic, Futura
Script- Strived to translate the inherently dynamic, fluid, and imperfect act of writing into metal, wood, photo, and digital typefaces. -- Brush Script, Sinclair, Bickham Script
Blackletter- A gradual and diverse evolution of varied sources like Carolingian, Old English, and the handcrafted work of scribes dating as far back as the ninth century in France, Italy, and Germany. -- Lucida Blackletter, San Marco, Fette Fraktur
Grunge- Jarring and aesthetic and philosophy that contrasts with the conventions of classic typography. -- Dead History, MC Auto, Turbo Ripped
Monospaced- Take their cue from typewriters, where all letters conform to a specific physical width, resulting in letterforms that must expand or condense to make the best use of the allotted space. -- Courier, Orator, OCR A
Undeclared- Flared serifs attached to sans serif structures. -- Optima, Copperplate Gothic
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